Native Americans in the United States and Include In-text Citation Essay Example for Free

Native Americans in the United States and Include In-text Citation Essay TermDefinition Segregationâ€Å"The physical and social separation of categories of people. † (Macionis, 2012, p. 61) De jure segregationâ€Å"Children assigned to schools specifically to maintain racially separated schools. † (Schaefer, 2012, p. 414) Pluralismâ€Å"A state in which people of all racial and ethnic categories have about the same overall social standing. † (Macionis, 2012, p. 63) Assimilationâ€Å"The process by which minorities gradually adopt cultural patterns from the dominant majority population. † (Macionis, 2012, p. 63) Part II Write a 75- to 150-word response to each of the following questions. Format your work according to the class writing guide: †¢Genocide is the deliberate and systematic destruction of an ethnic, racial, or national group, such as the Turkish killing of Armenians after WWI, the Nazis’ slaughter of 6 million European Jews during WWII, or the mass killings in Rwanda in 1994. Has genocide ever been practiced or condoned in North America? Explain your response. Yes, genocide has been both practiced and condoned in North America and the United States. The native inhabitants of North America, or Native Americans, were destroyed as a people. In the early 18th century, several states including Massachusetts, Connecticut, and New Jersey promoted the genocide of local native people by offering a scalp bounty on every dead native. In 1703 12 pounds was the price paid per scalp by the State of Massachusetts, by 1723 that price had soared to over 100 pounds per scalp. In that same period, George Washington compared Natives to wolves or beasts of prey, and called for their total destruction. By 1814, Andrew Jackson supervised the mutilation of more than 800 members of the Creek Tribe, which had been murdered by his troops. As time progresses to 1867, General William Tecumseh Sherman was saying, â€Å"We must act with vindictive earnestness against the Sioux [Lakota] even to their extermination; men, women, and children. † No one knows a precise number of Native Americans that were murdered at the behest of our United States Government, but some estimates make the number of European Jews murdered by German Nazis look small. (Religious Tolerance, 2011) †¢Consider the readings from this week as well as last week. What is the difference between Arab Americans and Muslim Americans? Why are the two often thought to be interchangeable? Explain your response. Arab Americans are Americans of Arabic heritage, which have either immigrated to the United States or have been born here and can trace their lineage back to the Middle East. (The Prejudice Institute , 2012) However not all people from the Middle East are Arab. Muslim Americans are people who practice the religion of Islam and live in the United States. (Muslim Americans, 2011) I think that often these two terms are thought to be interchangeable because there are a great deal of Muslims in the Middle East and those are the Muslim Extremist that we she on the news. Therefore, as we always do we go right to the stereotypes that have been played out in the headlines of the news. So if a person is of Arabic decent he or she must also be Muslim, which is why people tend to consider the two terms interchangeable. ? References Religious Tolerance. (2011). Retrieved from http://www. religioustolerance. org/genocide5. htm Macionis, J. J. (2012). Social Problems, Census Edition (4th ed. ). Retrieved from The University of Phoenix eBook Collection database. The Prejudice Institute . (2012). Retrieved from http://www. prejudiceinstitute. org/Factsheets5-ArabAmericans. html Muslim Americans. (2011). Retrieved from http://www. people-press. org/files/2011/08/muslim-american-report. pdf.

whirlpool case :: essays research papers

Whirlpool is an appliance company headquartered in the United States. The company has a global presence and ranks as number two world wide. They are the market leader in the United States. The major goal of the company is to achieve global growth.   Ã‚  Ã‚  Ã‚  Ã‚  Whirlpool’s global marketing strategy is based on segmenting customers well and providing suitable products for each specific market. They have different strategies and market conditions for developed markets and developing markets. The company segments its products in developed markets like United States and Europe. In United States there are three segments: high end products, medium priced products and low end products. In Europe there are only two: traditionalists and aspirers. In those markets the competition is severe, the market is fragmented and growth rate of the industry is low; around 1 or 2 percent. So, the company tries to maintain its position by cutting costs down by decreasing the number of warehouses & the product development budget and increasing productivity. In developing markets such as Brazil, China and India, Whirlpool tries to produce products that match the local needs and tastes of the majority (low-end customers). They have two major strategies for that. They use platform method and innovations. In the platform method, the company produces same platforms that are the technical core of the end product for each market. Later on market specific capabilities are added to the product. The other method is innovation of a bran new product for a specific local market. Then the company uses this new product in other markets that have similar needs and tastes by using platform method (making minor adjustments for each market).   Ã‚  Ã‚  Ã‚  Ã‚  Market research is used to gather information about the marketplace. By using this data, the company decides what the local needs and tastes are, how the segmentation should be made and which segment gives priority to what features. According to the results the company launches new products or modifies their existing products for the given market.   Ã‚  Ã‚  Ã‚  Ã‚  Developing products for low income consumers in emerging markets may be a good strategy. As the majority of people in developing countries are low income consumers, by reaching those consumers the company will have huge brand recognition in that country.

The Existence of Pathos in Dante’s Inferno

Madeleine Calhoun First Year Seminar Professor Scheible 11/24/12 The Existence of Pathos in Dante’s Inferno The strength of emotions drives many unjustifiable actions of humanity. The human race is subjected to feelings of pity and compassion. Yet, when did we obtain these potentially harmful yet also helpful feelings? Why do we have these uncontrollable emotions? And what can these feelings possibly contribute to an individual, or a society? There is much contemplation about the roles that pity and co.uk/on-compassion-summary-and-response/">compassion, as well as other feelings play into life.Emotions are the basis of all interaction and relationship; they enable a certain level of trust throughout literature, which can also perceptibly be applicable in everyday existence. Dante’s Inferno, is an epic piece of literature that contains exemplary instances of the use of pity and compassion. Pity is the ability to sympathize for one’s situation, being able to look d own with reason and an equal understanding. Compassion is affection, and care that is distributed and usually reciprocated in a relationship.These emotions are used to create a foundation relationship and a basis of trust throughout the text between the characters, and the reader. These most basic human emotions, pity and compassion, are fundamental to a true human experience. They build a level of trust between Dante, the writer, and his reader. A necessity in all of literature is to establish a balance of trust between the narrator and the reader. Without this relationship, the reader will become disinterested, and it will be more difficult for him or her to make the vital connections with the characters.Just as Calhoun 2 Virgil guides Dante through hell; the poet guides the reader through the work of literature. According to Professor Joseph Luzzi at Bard College, Dante addressed the reader 20 times throughout the poem (Poetry and Knowledge in Inferno: Dante’s World Wide W eb). This aids in the establishment of participation, and creates a more intimate and interactive relationship with the reader. The ability to have a protagonist with these human feelings of compassion develops a more believable plotline and affirms the easily accessible bond with the reader.Dante accomplished this by creating a relatable main character, himself, who feels the same average emotions as every natural human. Should we pity those in hell? This question rattles the minds of those who read Dante’s Inferno. In this vernacular poem Dante is both the author and the main character. He is taking a journey through hell guided by Virgil. Many have no idea why Dante wants to visit hell. However, many infer that Dante used this book as a form of revenge for the society of Florence, from which he was exiled in 1301.Also, he used this book as an attempt to exert more superiority over his enemies. Along the way, Dante emphasizes on all of the terrible sights of disfigured sinn ers, and giant monsters. His wild and imaginative tour taught him the full understanding of sin, and the consequences of these acts of wrongdoing. Dante experiences pity and compassion many times throughout the text. He pities the many sinners who have been placed in hell, and his friendship with Virgil aids his travels. These indisputable emotions both helped and hindered him during his time in hell.Hell itself is an intimidating, unknown, and violent place. All of those who sin and die on earth are welcomed by the devil to hell. The architecture of hell is not Calhoun 3 designed to promote pity and compassion. Dante learns through his excursion that pity is not the appropriate response to the sinners. All of the sinners are aware of their situation; they have chosen their sin and hell is the consequence for their actions. Those in hell do not need to feel emotions for each other, because they are all in the same position, and their conditions have no permanent means to improve.The re is no place in the typical hell for compassion. This negatively affects Dante because he is a naturally merciful human, which may explain why he is merely visiting hell, and not a permanent member of the community. Dante came upon this realization the hard way because many times in hell he was admonishes for showing empathy. When the citizens of hell noticed Dante’s common affiliation with these emotions they viewed him as weak. This concept reinforces that Dante was placed at a disadvantage in this moment in hell. In this situation, Dante saw one of his loves, Francesca.This romantic event obviously stirred him with both compassion and pity. â€Å"So that for pity I swooned as if in death. And down I fell as a dead body falls† (Dante V. 140-142). Dante’s implicit human instinct drove his emotions towards mercy for his poor lover. His previous mode of affection towards Francesca was no longer welcomed, and he now sympathized for his woman, and the preceding l ust that they shared. These feelings should prove Dante a sincere mortal, are inhibit him in this situation. By comparing himself to a falling dead body, this may further be setting him on a similar Calhoun 4 omparative ground as those in hell. Dante may not realize how much hell is having an internal affect on him. This quote also displays Dante’s capacity to feel compassion for others, and he is instantly vulnerable to the maniacal tendencies of the sinners. He needs the compassion, and reassurance that he will not join the sinners in this cold alternate world. It is inevitable to recognize that fact that because Dante pities those in hell, his own position of morality should be questioned. In order to pity the sinners, would you have to understand them?Or, at the least, be able to reason with their sins? Possibly it is merely the violent darkness, and impending deathly gloom that impulsively convinces Dante that these sinners are in need of condolence. He struggles with th ese pities, for it is difficult to have any sort of involvement with this society of hell. Dante’s strong sense of moral indignation makes it difficult for him to see the truth behind sin. However, it is these realizations that convince him that he belongs, or hopes to belong in heaven, instead of hell.Perhaps the answer for those sinners in hell is that they do not posses this widely acknowledged, and ordinarily accepted trait of compassion. After all, in the modern day basic relationships and families are built off of the trust that is ensured by a certain degree of compassion. The ability to pity shows an individual’s mental capacity of care. Isn’t Dante just being a nice guy by feeling bad for those burning in hell? Pity and compassion may occasionally hinder Dante’s chances and position in hell; however, without these vital emotions, Dante would not have made it through alive.Dante admits it for himself in Canto II, that the compassion he is given pr ovides him with the strength, Calhoun 5 and power, to continue on with his travel through hell. Here, compassion is a positive emotion because it provides companionship, and allows for understanding. In this situation, Dante exudes his fear of hell. Beatrice, his other lover, and Virgil both console him, and show him the necessary compassion to inspire him to continue his journey. â€Å"Such in my failing strength, did I become. And so much courage poured into my heart†¦ Your words have made my heart So eager for the journey† Dante II. 130-131, 136-137). Here pity and compassion serve as a motivation, and help Dante develop throughout his sojourn in hell. He uses the word â€Å"eager† to display how much a small act of compassion can almost rejuvenate Dante of fear. This quote explicitly displays the positive effects of empathy. Dante learns that when controlled, these emotions can show who the true sinners are. These relationships with others prove to Dante that he is not as alone as he primarily stated in the beginning of the canto. These extrapolations from the text can show that pity is transmittable, and malleable.The feelings may come and go, yet they arrive at a convenient time for Dante’s incentive to proceed. Dante’s relationship with Virgil is the epitome of an example of compassion as a contagion. Virgil is not originally accustomed to being around these emotions, and he quickly learns that for this journey, as well as most others in life, pity and compassion are necessary. When Virgil notices Dante’s merciful nature, he first admonishes him for these feelings, but by the end, Virgil is taking part in the sequence of empathy. Calhoun 6 â€Å"He looked with care upon the ruin, Took though, chose a plan of action,Then opened out his arms and took me in them† (Dante XXIV. 22-24). In this situation, Virgil was taking Dante through bridges, and climbing up cliffs. These are dangerous tasks in hell, and Virgi l recognized this, then quickly after involuntarily reaches to embrace Dante, satisfying his need for compassion. Primarily in the plot Virgil is only Dante’s teacher; however, by the end of the poem, Virgil serves as more of a paternal or lord-like figure. He sees Dante as an equal for enduring the difficult circumstances of hell, and developing a thickness against the sinners.Any form of compassion that Dante receives from Virgil mitigates his negative experiences, and establishes a necessary basis of trust between the two. This relationship pushes them both further on their journey, because they know that they are not alone. Dante learns from his acquaintances with pity that not everyone deserves it, and as the plot progresses, Dante develops a sort of strength, and begins to have immunity against the sore sights in hell. This illustrates that pity and compassion have positive potential to help an individual, and can shift depending on the affects or consequences of the em otion.Opposing the internal pities that Dante holds in the text, he also cannot help but pity himself. Perhaps, this may be a reflection or effect from the compassion that he sees being given to others. The theory that Dante pities himself as well as the sinners could prove to be one of Dante’s mental rationalizations for the creation of Inferno. His Calhoun 7 experiences with these feelings exhibit the circuitous cycle of pity and compassion. First, Dante pities himself for being exiled; his solution then is to write the Inferno. His pity then shifts to the sinners in hell, and for this he eventually receives compassion from Virgil.In the end, Dante reached a stage of revenge in which pity had been alienated. This cycle of pity takes control of Dante, and puts him in an inferior position to the others in hell, or to his fellow writers on earth. Dante sympathizes for himself because ultimately it is him who understands his own feelings of remorse from being exiled from his ho me. This proof of pity places Dante at an even more comparable human level, because the average individual in humanity finds it easy to take pity on themselves. If Dante had not been exiled†¦ would he have put all of his enemies in hell?Would Inferno have even been written in the first place? Pity and compassion are necessary emotions in Inferno, as well as in actual existence. Understanding this pathos of Dante and his relationships with Virgil shows the reader the extent to which pity and compassion can affect an individual. These overcoming feelings are natural, and they can both help and hinder depending on the situation. They should not be held back because they teach the essentials of truth and trust, and good and evil. The relationships developed from compassion assist us everyday, without them the human race would be alone.If it were not for the pity that Dante had for others, and himself, we would have not been exposed to the necessary connections towards developing th e Inferno. However, the larger question that should be considered is†¦ where would human existence be without these emotions of pity and compassion? Calhoun 8 Works Cited Dante, Alighieri, Robert Hollander, and Jean Hollander. Inferno. New York: Doubleday, 2000. Print. Luzzi, Joseph. â€Å"Poetry & Knowledge in Inferno: Dante's World Wide Web. † Dante Inferno Symposium. Bard College, Annandale-on-Hudson. Oct. -Nov. 2012. Lecture.

The Power of the Imagination and Its Relationship to Mary...

The role of the imagination in Mary Shelley’s 1818 novel, Frankenstein is a vital when defining the work as Romantic. Though Shelley incorporates aspects that resemble the Enlightenment period, she relies on the imagination. The power of the imagination is exemplified in the novel through both Victor and the Creature as each embarks to accomplish their separate goals of scientific fame and accomplishing human relationships. The origin of the tale also emphasizes the role of the imagination as Shelley describes it in her â€Å"Introduction to Frankenstein, Third Edition (1831)†. Imagination in the text is also relatable to other iconic works of the Romantic Period such as S. T. Coleridge’s Biographia Literaria in which he defines Primary and†¦show more content†¦Simply speaking Primary imagination occurs when the author or poet has no control over the imagination; the work is creative and natural not labored over. Frankenstein is a product of Primary imag ination according to Shelley’s account in the â€Å"Introduction to Frankenstein, Third Edition (1831)† in which she describes the birth of Frankenstein stating, When I placed my head on my pillow, I did not sleep, nor could I be said to think. My imagination, unbid- den, possessed and guided me, gifting the successive images that arose in my mind with a vividness far beyond the usual bounds of reverie. I saw- with shut eyes, but acute vision,- I saw the pale student of unhallowed arts kneeling beside the thing he had put together. . I saw the hideous phantasm of a man stretched out,..(168) In this moment of Frankenstein’s conception, Shelley describes the uncontrollability of her imagination as it reaches far beyond the bounds of â€Å"reverie† or â€Å"the state of being lost in thought or day dreaming† (OED). This instance of being completely controlled by the imagination, of effortless and spontaneous creativity is the embodiment of Primary imagination. Shelley can see Victor standing over his creation and feel his terror; she has become the creator of his world and his circumstance. In this way imagination is the birth place of the story of Victor Frankenstein. Imagination also plays a crucial role within the novelShow MoreRelatedFrankenstein, by Mary Shelley1078 Words   |  5 PagesMary Shelley’s Frankenstein has undoubtedly withstood the test of time. Frankenstein’s direct association with fundamental Gothic literature is extremely renowned. However, the novel’s originality is derived from the foundational thematic values found within the relationship (or lack there of) between Victor Frankenstein and the monster he had created, in combination with a fascinatingly captivating plot. Understandably, Frankenstein can often be associated with a multitude of concepts; however,Read MoreThe Romantic Movement1322 Words   |  5 Pagesemotional aspect of literature, was a period when such novels as Frankenstein; or the Modern Prometheus were written, being very different than novels written before this era. Romantic thinkers and writers, such as Mary Shelley, believed that imagination was the crucial way of thinking. They o ften depicted their heroes in their novels as â€Å"creative artists† that are determined to push beyond society’s restrictions and ways of life. Mary Shelley was similar to these writers of such concepts and had incorporatedRead MoreMary Shelley ´s Frankenstein; Or, the Modern Prometheus, an Analysis of the Subtitle1219 Words   |  5 Pageschanged everything? â€Å"I will pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation.† (Shelley 37). 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Traumatized by her failed childbirthRead More Romantic and Gothic Forces in Mary Shelleys Frankenstein Essay2028 Words   |  9 PagesRomantic and Gothic Forces in Mary Shelleys Frankenstein Sometimes considered one of the first science fiction novels of supernatural terror, Frankenstein proved itself an instant success when released anonymously in 1818. The mad scientist Victor Frankenstein and his creation provoke readers with the fear of the unknown and the power of natures forces. A deeper look into the character of Victor Frankenstein, the role of scientific experimentation and the intricate settings of nature inRead More The Author as Creator in Frankenstein Essay2907 Words   |  12 PagesThe Author as Creator in Frankenstein      Ã‚  Ã‚  Ã‚  Ã‚   Mary Shelleys Frankenstein can be read as an allegory for the creative act of authorship. Victor Frankenstein, the modern Prometheus seeks to attain the knowledge of the Gods, to enter the sphere of the creator rather than the created. Like the Author, too, he apes the ultimate creative act; he transgresses in trying to move into the feminine arena of childbirth.    Myths of divine creation are themselves part of the historical processRead MoreFrankenstein : Underlying Tones Of Romanticism1279 Words   |  6 PagesFrankenstein: Underlying Tones of Romanticism By Nishaat Rupani Unlike the ideas from the period of Enlightenment, which were comparatively more scientific and rational in nature, the ideas from the period of Romanticism aimed to elevate the role of emotion, instinct, spirit and soul. Although a number of critics argue that Frankenstein does not conform to the brighter themes and subjects of the works of Mary Shelley’s contemporaries, many critics argue that Victor Frankenstein’s story â€Å"initiatesRead MoreAnalysis Of Mary Shelley s Frankenstein 2066 Words   |  9 PagesMary Shelley was born on August 30, 1797 in London, England into an educated family. 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He collects bodyRead MorePower By Mary Shelley s Frankenstein Essay1471 Words   |  6 PagesSocial V.S. Individual Power Mary Shelley’s novel Frankenstein brings into question the idea of power. Throughout the novel, power is presented in different forms ranging from the power of feeling to the power of desire. Victor Frankenstein, the main character, creates an ideal power by combining and creating the perfect concept for it in relation to his perfect world. Victor’s power allows him to obtain all the things that he wants in his life. Unfortunately, after bringing his monstrous creation